A highly conceptual Art Director with over 10 years experience working in and around London. As can be seen in my folio, I am experienced with below and above-the-line advertising, on and offline, for B2C and B2B accounts.
I have progressed at many world-famous agencies, added my talents to various global brands from Dell to Volvo and Levi’s to Lastminute.com and learned from some of the best around.
As an experienced Art Director, I attack briefs with a pragmatic, professional and concise approach. I’m happy to be brought in for high pressure pitches and other hightailed briefs or long term contracts.

Agencies worked for:
BD Network, Exposure, Inferno, Cubo, JPMH, Billington Cartmell, McCann Erickson, Digital and Direct (Dad), Enfatico, Wunderman, Farm Communications, Emap, Oculus, Phoenix Plc, Creative Direction

Brands:
Nintendo, Levi’s, Nokia, Electrolux, Carlsberg, Glenfiddich, BMW, Nestlé Purina, BlackBerry, Gaymers Cider, HTC, William Hill, Mio (Navman), Sky, Vodafone, Dell, Orange, Lastminute.com, L’Orèal,

Scamps, marker pen and full mac visuals as well as headlines.

Based in Berkshire. Covering London, Berkshire, Surrey, Hampshire, Oxfordshire and Buckinghamshire

If you’re in need of a creative thinker to design and market your business, or an agency looking for an Art Director with great graphic design skills, or you require a photographer for your event, wedding or portrait, please get in touch.

Andrew Watts
E: andrew@andrewwattsltd.com
T: 07747 635888

10 Chuff Corner
Warfield
Berkshire
RG42 2FE

(scan me with your barcode app)

check out my new site. It’s all about the work

I love this piece by Richard Hamilton.

If you’re going to the Tate Britain… scratch that, GO to the Tate Britain and see this. Superb.

The Toaster

Toaster is the first of several prints Hamilton has made combining different printing techniques. The image shows a photograph of a toaster, seen from the side, set against a hazy abstract background. This background was printed by offset lithography, resulting in a flat grey and subtly-graduated field of black dots. The toaster itself and the text beneath its image were screenprinted before a rectangle of metalised polyester was collaged between the toaster’s black plastic ends to imitate the shiny metal surface of its body. Hamilton replaced the manufacturer’s logo on one end of the toaster with his own name, in lower case red letters.